Distant Early Warning
R40 Tour @ YYZ
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This is the metal music blog of the Heavy Metal Sasquatch. Thriving in the mosh pit environment, all the Yeti needs for sustenance is metal. I review underground metal, upload shitty pictures from shows I go to, and share wicked new metal bands I find along the way. Read this blog to discover new metal! \mXm/
This is not the first time I have written about Wretchedpain and it certainly will not be the last time you hear about them, with the bands release of their killer new track, The Great ReAwakening. The track is four minutes of brutal groovy death metal, featuring none other than ex-Chimaira front man Mark Hunter sharing the microphone with Joey Glacken on vocals. The track starts with a deliciously heavy groove followed by a blast from Hunter, reminding me a lot of the Impossibility of Reason days (which is a very good thing). The
instrumentals throughout the track are also top notch. The guitar work is
flawless; providing a brutally heavy, yet impossibly groovy framework
for the song to build off. Furthering along the brutality was the
awesomely executed drumming throughout the track. If this wasn't already
enough I also absolutely loved the lyrics throughout the song, drawing
on themes of generational laziness, apathy, and enlightenment or lack
there of. Check out the song below and make sure to check the band out
if you like what you hear! Get touring info and download music from
Wretchedpain @ www.facebook.com/Wretchedpain & www.itunes.com/wretchedpain.
I first started listening to Scarab a couple years back when I was compiling a list of metal bands from around the world that were completely kick ass. Since this time I've kept my ears to the sand, feeling elation when I heard that the Egyptian death metal gods had obliged with the release of their latest full length album "Serpents of the Nile". Serpents of the Nile was released under ViciSolum Productions and features 8 tracks of pure death metal destruction. Right from the start the album is heavily infused with Egyptian subtext. Every riff and progression in the album serves its purpose well, with the songs effectively reflecting the wrath and destruction that the ancient gods were known best for.
I have been waiting to see Dark Tranquility since I first heard the Damage Done and Character albums back when I was a young Yeti first developing my metal palate. Tonight I killed two birds with one metal stone as I witnessed Dark Tranquility and Insomnium tear the roof off the Opera House in downtown Toronto. The night opened up with a blast of power folk and black metal from local melodic demons Valfreya and Primalfrost. Despite minor technical difficulties, both bands performed brilliantly and proved masters of their crafts, perfectly priming the crowd for the headlining acts (even inciting a sword fight mosh pit at one point). Insomnium took the stage next, unleashing a hell storm of melodic death metal mastery. I was completely blown away by Insomium's technicality and stage presence, as every song they played forced my inner viking to come forth in the mosh pit. They opened with tracks off of Shadows of the Dying Son, but also played older classics like Unsung and Weighed Down With Sorrow. By the time Dark Tranquility took the stage the crowd was completely ready for what was about to happen. They played an unbelievable set, opening with The Science of Noise and some songs off Construct; also including some wicked back catalog tunes like Damage Done and Misery's Crown! Cheers to all the bands for such an unbelievable show /,,/. And as always cheers to the crazy dudes I clashed with in the pit! Check out a few pictures from the night below.
Don't call the Center for Disease Control quite yet, as tonight the absolutely stacked Carnival of Death tour swung through Toronto, leaving a trail of bodies and destruction in its wake. The night opened up with some local homegrown talent, as the boys of Wretchedpain primed the audience for an evening of death metal at its finest. Things only got better from there as slam legends Internal Bleeding and Pyrexia took the stage next. Both bands played killer sets, even sharing the stage at one point for a killer metal duet which practically shook the Opera House off its foundations. By the time Jungle Rot took the stage, the crowd was completely amped (and buzzed up), ready for the old school death metal gods to annihilate and melt their faces. As if Jungle Rot playing Strangulation Mutilation wasn't already enough metal pleasure, Suffocation took the stage shorty after and crushed a killer set full of old and new tracks. While there seemed to be quite a loss of momentum and energy between the two headlining bands, the night ended on a high note after Kataklysm took the stage. It only took a brief pep talk between songs to wake the crowd up, and the energy soon returned to the venue with Kataklysm igniting the crowd time and time again as they played their set. The Sasquatch couldn't have asked for a more stacked bill, scratching 5 death metal giants off my "must see" list! As always, a special shout out to the old school motherfuckers in the pit as well as all the bands! /,,/ Here are some pictures from throughout the night.
Last Scattering represents a very unique progressive metal experience. The first few songs off the album proves this with a very obtuse and quirky feel to the songs being felt. This being said, Last Scattering is quick to inspire your head to bang with their use of heavy technical guitar and drumming through out the entire album. Last Scattering is brilliant all across this album showcasing their talents with absolutely killer riffs and wonderfully constructed verses and solos. While there was a few times I felt that the clean vocals were a bit strange they were always very interesting and unique, especially when paired with the albums completely devastating solid scream vocals. Last Scattering utilizes a wide variety of musical styles, infusing a heavy groove with aspects of death and thrash metal creating an onslaught of progressive metal mastery.